One year after my last show at Tumalo Art Co. in Bend, Oregon, I am opening another exhibit there with paintings of the water I looked deeply into during a summer visiting rivers and lakes in Oregon. Last year Tumalo Art Co. was actually closed during April and May, but I had my show on the walls anyway. So this year, having survived one of the most difficult years our country has ever experienced, it is a positive milestone to mount a show again in April with a grouping of paintings that represent breaking through to new territory in my work.
These paintings have taken me further along the path of depicting the patterns water over stone. Water—as it flows over rocks of varied colors and sizes. The reflections shimmering on the surface. I am mesmerized by the both the design complexity and simplicity of these waters. The yin and yang. The song. The dance. Above and below. Creating abstraction through composition, slightly losing context, is challenging and thrilling to me. To render the scene my marks remain impressionistic but fairly representational.
Several of the places I visited in the summer and fall of 2020 were visited by catastrophic wildfire, all in one weekend in September. As a life-long Oregonian these watersheds are dear to me, so having been able to be at these places just weeks before is even more precious. The upper South Santiam river, which I have now painted many times, was spared, while the North Santiam watershed bore huge losses. The geology of the area, giving the creek and river beds a mosaic of multi-colored stones is marvelous to me. We discovered Soda Creek on a warm July day. A hidden gem down a logging road. The gentle undulations of water-grooved peach-colored sandstone with water turning the color of celadon as it flowed over took my breath away.
It took me awhile to figure out how to approach painting these places. Finally I came up with the compositions I wanted to bring to life— from the South Santiam, Umpqua River, Odell Lake, and another crystalline stream, Jamison Creek in the Sierras.
“Water Over Stone” opens April 2 from 4-7pm at Tumalo Art Co. in Bend Oregon’s Old Mill District with a Covid-safe reception and continues through the month.
Susan Luckey Higdon and Tracy Leagjeld team up for a stunning show at Tumalo Art Co in Bend Oregon’s Old Mill District, featuring their new work of lakes, mountains and streams in Oregon’s high Cascade mountains. Both artists love exploring and sketching or painting in the outdoors are drawn to many of the same places. Their color sense and desire to paint loosely and of their impressions of a scene are similar.
Tracy and Susan had admired each others artwork for some time before finally meeting while hiding in a hallway during an fund-raiser where both of their art was being auctioned. They became friends and were part of an art mentoring group, which eventually led to partnering as owners of Tumalo Art Co. in Bend, Oregon. The idea of doing this show together came to them during a camping trip in the Cascade mountains last fall. There weather was wet, but they still went to their favorite places at Sparks and Hosmer and other lakes, and the Deschutes River.
Tracy primarily spends her time doing monotypes on board, but can also be seen painting small plein air studies all over the Northwest, from coast, to gorge to mountains. Many of these small paintings are later made into larger monotypes. Her distinctive style of creating her marks with printmaking rollers keeps her images loose, energetic and colorful.
Susan uses acrylic paints and works on cradled birch board. She paints intuitively in an impressionistic style, painting color on thickly and then wiping it off, building up layers. Using composition as a tool to narrow and refine the view, she focuses on pattern and color, which makes many of her images feel semi-abstracted. “This approach to seeing nature has limitless possibilities,” says Susan.
Due to the COVID-19 virus, Tumalo Art Co. will not host an opening reception for the April, “Shared Vision” show, and is temporarily closed to the public, but the art will be up on the walls at the gallery through April. Art may be purchased using Tumalo Art Co.’s online shopping cart. Contact Susan by email to see the art…it can be arranged by appointment in person, or virtually.
Almost a year ago the Old Mill District in Bend, Oregon asked me to create the art for their annual Winter branding. It was a huge honor to be asked and I knew that the art would be used from mid-November through the winter in all of their marketing efforts. So, the pressure was on to come up with something different than had been done before, and that could be both very small for the Christmas ornament they send to 1,000 friends and very large for billboards and banners lining Bond Street which winds around the Old Mill District.
Through the winter and spring I researched and solidified ideas. I wanted the image to fulfill all of their needs but also be true to my artistic style, which is strong, somewhat compressed composition and bold colors. So, rather than showing a panoramic of the area I focused in on the iconic smokestacks from the vantage point of below a tree. And, because there is lots of wildlife in the urbanized area right by the river, I wanted to show a bird or animal. Initially I considered a Red-Winged Black Bird because of its bold color, but had also seen the Waxwings noisily filling up trees in the winter. Slowly some ideas came together and in early June a design was chosen. I was painting the bright blue of winter sky with fresh snow and Waxwings in a Hawthorne tree, in at the height of summer. Anyone who has produced seasonal artwork or advertising knows this drill.
Now the art is being used in all of its formats and I get to see it as I drive to Tumalo Art Co., my art gallery in the Old Mill District daily! Pretty cool.
The original art is hanging at Tumalo Art Co. through December and will then join the Old Mill Districts growing art collection.
My May 2018 show at Tumalo Art Co. features the signature art for Deschutes River Conservancy’s 2018 RiverFeast event, “Magic on the Upper Deschutes”, along with other new works of the Deschutes River. The original acrylic painting is 60” x 30”, and I am donating 25% of the proceeds from its sale to the Deschutes River Conservancy. The show will open May 4, from 4-8pm and be up all month.
I have had the honor of creating the signature art for RiverFeast for 11 years and finds the Deschutes river an endless source of imagery that I am drawn to paint. Over the years I have painted many landscapes of iconic Central Oregon scenes, particularly water. I’m drawn to unusual and dramatic composition and my new works often focus in on the patterns and colors of larger scenes.
The scene that inspired “Magic on the Upper Deschutes” is an area where the upper Deschutes River plays hide and seek along Century Drive in the high Cascade Mountains, as it begins its long journey from its headwaters to the Columbia River. I’ve painted the area where the Deschutes River flows out of Little Lava Lake extensively, including the Kokanee that spawn just downstream. I find this area to be a spot of incredible calm and peace. “Deep Calls to Deep” is also a new painting in my May show at Tumalo Art Co. and is from an area just in from where the Deschutes River starts. In the autumn, when the grasses have turned amber, it is so quiet and contemplative. Fallen, twisted roots of huge pine trees add tremendous detail and texture to the river banks.
Also newly painted for the show is “Roaring River”. This large (48 x 24) painting is of the area just up from Tumalo State Park, where the Deschutes River flows through a canyon. The winter waters are crystal blue and raging.
I am a working member of Tumalo Art Co., an artist-run gallery in the heart of the Old Mill District in Bend, Oregon, open seven days a week. My work can always be seen in this jewel of a gallery.
I have just completed the signature artwork for the 2016 Deschutes River Conservancy annual RiverFeast Dinner & Auction to be held July 30, 2016. The idea for the image came from a photo taken by Marisa Hossick at Deschutes River Conservancy, of the middle Deschutes River in Central Oregon, looking south from a helicopter. The image shows the serpentine twists of the river as it makes its journey north to the Columbia River.
Painting in acrylic on cradled birch board, I started by working in the color and then rubbing it out creating a stain that becomes the under painting for the composition. This process goes on as the detail is layered in, creating depth and subtlety. The grain of the birch board is so wonderful that I like to use it as part of the overall effect.
Enjoy supporting the river and join Deschutes River Conservancy for a delightful evening of irresistible food, spirits and music. This year, they are combining the best of their two fundraising events, Tight Lines and RiverFeast into one great evening. Bid on this custom art, exclusive adventures and experiences, and other wonderful packages.
I am honored to be the ongoing signature artist for RiverFeast, and event that supports the work of the Deschutes River Conservancy, who bring together the people that use the river, creating solutions for the health of the Deschutes River.